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Stuff you write when you get an advanced journalism degree

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Superheidi's picture
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Just FYI. I spent the evening writing this. You won't enjoy.

Marvel - at my academic wording!
Scream - tears of wonder!
Weep - because you do not know what I am talking about!

Quote:

Critical Review
Sept 6, 2010
MC620 Dr. Benavides

Said’s modern intellectual has the potential to manifest him or herself in today’s newsrooms and on the Internet as a source of alternative truth and activism in increasingly more powerful ways. Freire’s original ideas about changing the actual meanings of teaching and learning to encompass something altogether greater and more fulfilling is not only inspiring but, as proven in MC620 during my facilitation of the discussion, practical.

What I can’t fail to notice is how Freire and Said’s ideas work in congruence with one another and can be applied at the same time to the same learning situations; the intellectual can serve their role as a teacher and be learning at the same time, transforming reality for the positive through the creation of new ideas and exchanges with students.

While preparing for the discussion in class which I was to facilitate on both Freire and Said, I abandoned the concept of using a mechanized learning tool (the PowerPoint presentation) for a much more communication-based learning method inspired by my reading of Freire. I supposed it would be ironically poor taste to attempt to ‘teach’ Freire’s radically empowering definition of ‘knowledge’ to the class in precisely the way Freire denounces in his article. Assuming a roundtable discussion would not only be more in tune with what we’d been learning about but also intrinsically more enjoyable, the class of MC620 embarked on a journey that ended with not only an overall agreement with Freire’s ideas and the Professor’s suggestion we try to use his methods more frequently in class, but an understood acknowledgement that we had all defined ourselves as ‘intellectuals’ by Said’s standards.

The transformative experience of declaring ourselves thus and delineating our roles as journalists and intellectuals was exactly the kind of reality-defining communication Freire would call ‘learning’. We decided what an ‘intellectual’ was, prompted by Said’s book but interpreted by the class as a group, making that definition ‘real’ for us. I’m interested in how an intellectual can be both a teacher and a student using Freire’s methods, and how a student or teacher must strive to be an intellectual, according to Said’s definition, in order to understand the power that their experience has to make changes in their own lives and the lives of others.

Freire is adamant that words, and their creation and use, are tools of domination and power. Speaking words transforms reality by changing the way people understand those words. Learning also transforms reality by bringing about a change in consciousness. Especially when it is based on an exchange of ideas. According to Freire, the student must constantly be aware of their own existential situation in order to facilitate this kind of transformation, as must an intellectual by Said’s definition. Freire specifically points to ‘denunciation’ and ‘annunciation’ of dehumanizing situations and a thorough analysis and understanding of the situation before words that ‘denounce’ inequality or that ‘announce’ a positive change can be pronounced and become reality. This is not so different from Said’s notion that intellectuals provide an alternative way of thinking to the status quo and a path to finding the truth. Said sees the intellectual as a fighter of oppression and a ‘denouncer’, in a way, of inequality. The intellectual communicates ideas much in the same way a teacher communicates with a student in a dialogue-based learning situation – they seek truth and the empowerment it brings.

“Man and experience is the essence of learning,” according to Freire (Freire, Literacy as Cultural Action, pg 9), and an illiterate is a person who lives in the margins of society because they are ‘cut off’ from the power to transform their own reality. Said draws a parallel to Freire’s illiterate in his definition of an intellectual, but only in that an intellectual’s ideals go against the prevailing norms and the intellectual often finds themselves living in and for the margins of their culture. An intellectual can and should be either a physical or metaphoric exile, or both, because they are a marginal figure outside the comforts of privilege, power, and home. Said suggests that it is not just the job of an intellectual to represent a minority voice, it is their duty. An intellectual works on the fringes of culture to transform the reality of those who lack the power to do so themselves through words, annunciation and denunciation, and teaching.

Freire repeats that transforming reality should be done with the goal of a more equitable and just future in mind. Dialogue-driven learning is a path towards creating a better future through understanding the transformative power of language. The intellectual, hopefully an amateur and not hampered by the pitfalls of professionalism, is “moved not by profit or reward but by love… and unquenchable interest" (Said Reflections on the Intellectual, pg 76.) The intellectual’s motives are pure. Because of the dynamic power and potential change that can come from this type of intellectual and dialogue based learning, both authors are keenly aware of the dangers present when it is put into practice. The propaganda, teachings, words, and cultural illiteracy of those under the influence of the Nazi party, for instance, resulted in cultural turmoil created by power struggles that began with only words and advanced to a sickening physical level.

In MC620, we spent the class time figuring out who we were and what we believed in, using Freire and Said as a jumping-off point. Traditional classrooms would have had us memorize the main ideas of both authors and move on; we attempted to take a step further and actually apply these theories to our own lives at that moment. It is an interesting instant when students and teacher accept a serious change in the power dynamic and are willing to expand and share on a real basis despite the unnerving self-consciousness that comes from the unfamiliar. We were not just talking about Said and Freire at this point; we were seeking to define the power relationships and the risk-taking we were willing to do during the discussion itself. I struggled with how much to let the class discuss without an agenda and weighed it against how much the professor was counting on a structured class and how that would affect my grade. I wondered how much my own input was taken as textbook because I was the facilitator and how much was really just my own train of thought – would people resent that? It isn’t comfortable to enter an unfamiliar, unmechanised learning routine. It is easy to discuss, in lofty and pretentious pseudo-academia ideas about ‘what is the role of the intellectual’, but having to apply it and look inward is infinitely more difficult. It is that struggle, the inner-reflection and threat of actual figurative exile, that is terrifying to us. That’s the kind of change that Freire and Said meant by 'communication'. They should have included a chapter on how intimidating accepting a new definition of ‘reality’ and ‘power’ can be. Then again, maybe they didn’t want to scare us away.

References

Freire, P. (1998). The adult literacy process as cultural action for freedom. Harvard
Educational Review, 68(4), 480-498. Retrieved from PsycINFO database.

Said, E. W. (1996). Representations of the intellectual: The 1993 Reith lectures. New
York: Vintage Books.

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Superheidi's picture
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If anyone has a minute, let me know if it makes sense in any remote way. Or at least just grammatically.

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Theron's picture
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I like the phrase "ironically poor taste."

It all works grammatically—but you use single quotes instead of double quotes to designate certain words and phrases, but that might be correct depending on the style guide you're using. Also, you put a period and a comma each outside a quotation mark a couple of times, but it looks good otherwise. My wife is going for an advanced degree too, so I've been proofing/editing lots of this stuff lately. Wonky wonk wonk...

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Two very minor suggestions:

- change "increasingly more powerful ways" to "more powerful ways" (the word "more" is redundent)

- change "figuring out who we were" to "determining who we were"

Superheidi's picture
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You guys rock! Thank you. It is so hard, especially when writing crap like this, to even see what you've actually written anymore. About to do a last edit and turn the fucker in.

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Good luck Heidi!

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it works. but there's no heidegger or foucault. if there's no panopticon or discussion of counter-hegemonic potentiality within the new media, then you've gotta head back to the drawing board. Wink

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sammartinuzzi's picture
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Nice work, Heidi.

Superheidi's picture
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James, How could I have forgotten to include Marx????? Wink))

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james's picture
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Superheidi wrote:

James, How could I have forgotten to include Marx????? Wink))

There's always room for Marx!!! Smile

You've got Said in there though...so it's latently Marxist...but "without guarantees." Wink

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Dude, my professor so gave me a fucking A. I shit you not. An A. and he also said nice stuff.

and and and and.... Wink

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Tristan Sinns's picture
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Ur smart. Smile

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james's picture
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lmao...you need "like" buttons on this bad boy.

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So, James, that professor and my other professor got together, and instead of me doing the required lit reviews in both their classes, I'll be working on my lit review for my thesis starting this semester instead. I didn't think I would start until January, but... I'm starting my thesis next week.

There goes finishing my documentary. It'll be about 8 months before I can pick that up again!

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james's picture
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Oh, Jesus Christ. Does this mean you graduate earlier or does it just mean they want you working on your thesis earlier??

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And how far along is the doc? Are you in post yet?

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The doc is about 90% shot, but not edited at all. Jessica, whenever she gets to this thread, can confirm or deny.

I will be able to be totally done, handing in my thesis by June 2011. With the massive deficit and budget cuts (I'm in a public university) in California, the master's program had been unofficially extended from 2 years to possibly three due to classes not being offered often and tution going higher.

This way, I can jump right into my methodology in December and have my results and conclusions and everything ready to hand in, DONE, in June. It might have taken me the entire summer of 2011 to finish, if I didn't get to start now.

So, I thank my professors for allowing me to do that. I'm also realizing I have to, like, start reading every free minute of every day to turn in my lit review intro on Oct 7. Yikes.

Have you any fond master's thesis-writing moments to share, James?

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Since all I have are a High School Diploma and a nice certificate for traversing the Suez Canal and spending two years of my life in the Persian Gulf during Operation Desert Shield/Storm, all I have to add is women with degrees in higher education are sexy and turn me on. My ex-wife has her Doctorate but she's a bitch and I hate her.

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Ugh, brutal. I've actually lucked out in both cases.

Penn State is a well-funded institution so they just cut the number of grad students they accept.

So far as my thesis, I had written a paper on Constance Naden for a Victorian Poetess class early in my grad studies and she just never left my head. She was both a poet and a scientist - and as I did some digging I found out how socially progressive she was that when she died she became a political football in the newspapers, and, of course, the conservative Victorians won out as she faded into obscurity.

Once I came across Stuart Hall and cultural studies, the thesis just sort of came together.

Aside from that, I can only suggest lots of caffeine and a nightlight for reading.

90% done...damn, so close! I'd ask your professors if you could submit that with a shorter thesis as your thesis. Smile Women and the private/public spheres of horror.

Have you taken any courses centered on New Media? One of my profs are offering it next semester and I'm deeply intrigued.

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Superheidi wrote:

The doc is about 90% shot, but not edited at all. Jessica, whenever she gets to this thread, can confirm or deny.

Yeppers. I think the only thing that's been edited is this one brief clip:

http://www.youtube.com/watch?v=Lsax9j-1uAs

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I already brought up my doc as my thesis, and the professors, who have no idea what a horror film is, were not really on board with it.

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Maybe you could edit together a short trailer to show them how it could be used as your thesis.

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Hmm...did you tell them Carol Clover would love it and Robin Wood would pop out of his casket to watch it?

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I think I'm going to finish the doc this year, too, because my professor has urged me to enter it into a couple of university sponsored film/art contests and symposiums. I'll get the gals together (stacie and Jessica) and we'll figure out the next best move on this.

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Pipmeister's picture
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You are amazing and inspiring and I want to be you when I grow up. Laughing out loud

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What's the documentary about women and horror?

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Wow Heidi! That's all like Awesome Cakes!

(ps. Sorry I haven't been around like much at all. I miss you guys, rl is a pain in the ass. This is the first spare moment I've had in a while. Trying to catch up on my FanGirlTastic now!)

Love always,

- M

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The doc is about women who are married to men who make horror films for a living. Wink called Brides of Horror.

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