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The 'Martyrs' Remake: A Glimmer of Hope?

In the US version of The Descent, our heroine Sarah escapes from the cave of hell. The UK version however depicted a much darker ending, one that did not provide a happy ending for Sarah. We hear stories like this time and time again of films that were screened for test audiences that did not do well simply because the endings were too bleak. People hate being sad and upset after seeing a film. So much so that incredible, groundbreaking movies, sacrifice their original intent and stories to please the audience's mood. In a country where something like 27 million of its residents are on anti-depressants, America is certainly a glass half full kind of place.

In more recent news however, the director of the American remake of Martyrs, Daniel Stamm (The Last Exorcism) has said that his version of the acclaimed French horror film will not make us want to shoot ourselves, "The American approach [that I'm looking at] would go through all the darkness but then a glimmer of hope", said Stamm when discussing his plans for the remake. This is distressing news for those of us that were immediately displeased at any talk of a remake. The French extreme film Martyrs, is a very dark and disturbing film. One that I originally felt would never be able to be translated into an Americanized version, and after this news--I'm sure of it.

Martyrs is a terrifyingly brutal film that many erroneously group into the "torture porn" category of horror. The film follows the plight of a girl named Lucie, who years after escaping from a torture chamber enlists the help of her friend Anna to exact her revenge on the people she believes tortured her. Once Anna and Lucie break into the surface of the organization responsible, they find that the reality and motives behind the organization are more terrifying than they could have ever imagined.

The film is not as cut and dry as my brief summary provides however. The film goes places you would never expect and furthermore--is pretty much the polar opposite of "torture porn". My greatest fear when the US remake was announced, was that the studio would try to market it as more of a torture porn film to appeal to all those mainly interested in the next Saw film. I could never have imagined however that the director would ever think of using the words, "glimmer of hope" when describing his vision. This makes me weep.

If you have not seen Martyrs than leave now or prepare to be spoiled. The ending of Martyrs is extremely dark and bleak IF you choose to interpret that way. When all was said and done, I did not as Stamm says, feel like I needed to shoot myself. It's really all about what you think Anna's last words were. That's the beauty of Martyrs--that the possibilities are endless. You could watch the film 10 times and still be undecided. In my mind, Anna--in one last attempt to thrawt the organization, tells the Madam that she did not see heaven or the glimmer of an afterlife. Realizing that her life's work was all for nothing, Madam shoots herself, ending the organization's journey of discovery. Of course there are other interpretations, but if you see it in this way--the ending is actually more positive. Yes, Anna dies but it's extremely possible that she DID see the afterlife, but only lied to Madam.

Here is what I am thinking about this so called "glimmer of hope" that Stamm is on about. Possiblity 1. Anna gets away and shoots Madam herself. Possibility 2: The ending is less open ended, and we know exactly what Anna whispers into Madam's ear. This I think, may be more on line with what Stamm is alluding to. Perhaps my interpretation is what will end up happening in which case many of you are probably saying, so what's the big deal? The big deal is, that one of the biggest things I took away from Martyrs, was the unpredictability of life and of death. We don't know what happens when we die, we can only guess. We can only interpret or conclude what we choose to believe in. Shoving the answer in our face however completely removes that aspect from the story. It makes it less about the bigger, more powerful themes and more about the here and the now. More about the violence and the torture than what comes out of it.

Of course, this latest isn't the only thing that sparks my doubt. Previous to this news, we learned that Wyck Godfrey the producer of Twilight would be producing it and that worst of all--Godfrey was hoping that Twilight star Kristen Stewart would sign on. Yes, I already feel like someone punched me in the gut. How on earth is Martyrs going maintain a brutal depiction, of unrelenting violence, and unapologetic brutality when the film essentially becomes Twilight-ized? I'm suddenly having nightmares about Godfrey insisting that Lucie be changed into a man, sparking a romance between the two main characters. Maybe the glimmer of hope will be that Anna gets impregnated by the male Lucie and that before he died he changed Anna into a vampire so that she could live forever. Anna's baby will emerged skinless, yet---beautiful. Oh god I better be making that up.

In any case, things look very disastrous for the American remake of Martyrs. Perhaps the bigger picture that Stamm is failing to see, is that by presenting us with this so called "glimmer of hope" he's actually making things a lot darker, and bleaker for the future of this once outstanding and remarkable film.


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Superheidi's picture
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Frankly, the only thing I DID like was that the girl dies at the end of the original. I will now have nothing to like!

PS, how do they explain The Descent 2 to UK audiences who watch it and think, "Blimey, I thought she'd died, I did! Tut Tut!"

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I don't even acknowledge the American ending of The Descent. Therefore The Descent Part 2 doesn't exist for me. It's easy.

This will suck because they won't get it. I'm not expecting a repeat of Let Me In for awhile.

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Andre Dumas's picture
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Maybe you should ask Stacie because she asked Sarah that very question in her FANGIRLTASTIC INTERVIEW!!! Ooooooh snap!! :Unicorn

I know you didn't like Martyrs Heidi and it still breaks my heart...

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I think Martyrs is kinda brilliant. Well not kinda it really is. I love the multiple sub-genres touched on and the performances were pretty stellar and I'm a sucker for ambiguity.

I know Neil didn't like the American ending at all and wanted nothing to do with the "sequel". As far as he was concerned The Descent was supposed to be it. The only involvement he had with it was filming the scenes with the girls found on the camcorder because he was at the studio to see them all and figured what the hell.

It really is an atrocious movie anyway. I rented it out of morbid curiosity and watched it with my gf and I pretty much lambasted every scene. Wish I had been recording that for a Blu-ray commentary track of my own. I think that's one of the cooler features but there aren't many movies that I'd fill up the entire running time with my insight-fullness.

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This is not a dream... not a dream. We are using your brain's electrical system as a receiver. We are unable to transmit through conscious neural interference. You are receiving this broadcast as a dream. We are transmitting from the year one, nine, nine, nine. You are receiving this broadcast in order to alter the events you are seeing. Our technology has not developed a transmitter strong enough to reach your conscious state of awareness, but this is not a dream. You are seeing what is actually occurring for the purpose of causality violation.

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All the women in The Descent look the same to me except The Asian one and The Dyke.

I can't help it.

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Superheidi wrote:

All the women in The Descent look the same to me except The Asian one and The Dyke.

I can't help it.

If I didn't know any better I'd call you a racist or sexist. Maybe both. :bigsmile:

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This is not a dream... not a dream. We are using your brain's electrical system as a receiver. We are unable to transmit through conscious neural interference. You are receiving this broadcast as a dream. We are transmitting from the year one, nine, nine, nine. You are receiving this broadcast in order to alter the events you are seeing. Our technology has not developed a transmitter strong enough to reach your conscious state of awareness, but this is not a dream. You are seeing what is actually occurring for the purpose of causality violation.

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Superheidi wrote:

All the women in The Descent look the same to me except The Asian one and The Dyke.

I can't help it.

Bwahahah!!

One of the blonde supermodel-types is Saskia Mulder, and she was in a really great British comedy series called THE BOOK GROUP. Check it out.

The 'Asian One' is Natalie Jackson Mendoza; an Australian singer/dancer who briefly fronted a pop group with her sister.

Super-catchy tune...

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Robert A. Newberry wrote:
Superheidi wrote:

All the women in The Descent look the same to me except The Asian one and The Dyke.

I can't help it.

If I didn't know any better I'd call you a racist or sexist. Maybe both. :bigsmile:

Don't forget homophobe. It's all a part of why we love Heidi.

Giving the Martyrs story a glimmer of hope misses the point If you do not want to gouge your eyes out and bathe in acid after watching it... you are messed up. That's what makes it strong in a way Saw or Hostel could never be.

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Thomwade wrote:
Robert A. Newberry wrote:
Superheidi wrote:

All the women in The Descent look the same to me except The Asian one and The Dyke.

I can't help it.

If I didn't know any better I'd call you a racist or sexist. Maybe both. :bigsmile:

Don't forget homophobe. It's all a part of why we love Heidi.

Giving the Martyrs story a glimmer of hope misses the point If you do not want to gouge your eyes out and bathe in acid after watching it... you are messed up. That's what makes it strong in a way Saw or Hostel could never be.

She's very contradictory sometimes.

That's exactly right too. I've watched the movie 4 times and absolutely hated every viewing of it but I was showing different people. I hope I never have to watch it again. I should destroy the DVD.

__________________

This is not a dream... not a dream. We are using your brain's electrical system as a receiver. We are unable to transmit through conscious neural interference. You are receiving this broadcast as a dream. We are transmitting from the year one, nine, nine, nine. You are receiving this broadcast in order to alter the events you are seeing. Our technology has not developed a transmitter strong enough to reach your conscious state of awareness, but this is not a dream. You are seeing what is actually occurring for the purpose of causality violation.

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